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Surprising Story: Marie-Antoinette’s Dairy at Rambouillet

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While Queen Marie-Antoinette’s influence on the gardens of Versailles is well known, particularly with regard to her so called English garden and ornamental farm, few tourists are aware of the fascinating legacy she left in the gardens of the Château de Rambouillet. In Part II of our Surprising Story feature on Rambouillet, we trace the roots of the Queen’s interest in gardens and see how her experience at Versailles led her to add an element of beauty to a place she was poorly fond of. Read more

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Surprising Story: The Princess de Lamballe at Rambouillet

Château de Rambouillet, 1791 – Dessin de Fontaine, Pierre-François-Léonard (1762-1853)

Garden enthusiasts looking to escape the crowds in Paris often choose to visit Versailles or Giverny, but we recommend that visitors venture further off the beaten path in order to visit the Château de Rambouillet. Located approximately 50 kilometers south of the capital, the castle offers a delightful encounter with two of the best-preserved examples of French eighteenth-century garden architecture—an ornamental dairy and a seashell-encrusted grotto—built for Queen Marie-Antoinette and her lady of waiting, the Princesse de Lamballe. Our two-part Surprising Story feature explores the history of the chateau and the legacy of these two esteemed royals and garden patrons. Read more

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Perfumes of the Orient Exhibit, a Evocative Journey through Scent

Egyptian women gathering lilies for perfume, Perfume Burner

For travelers to Paris this winter who want to learn more about gardens, flowers, and perfume we highly recommend The Perfumes of the Orient exhibition at the Institut du Monde Arabe. Held until 17 March 2024, the exhibit is an innovative opportunity to discover the history of scents inspired by gardens and floriculture from the Arab World. 

The exhibition opens with short films of the diverse landscapes where perfumers source their raw materials. Despite this arid and hot climate, two trees, the Commiphor myrrha and the Boswellia sacra, native to Arabia, Oman and Yemen, produce resins essential to perfume making. Since ancient times, the existence of these trees established this part of the world as the center of perfume trade routes. Many of the objects displayed in the exhibition, which date from antiquity, were used as containers for these raw materials. 

Animal based substances, such as musk and civet, have been collected in this region for ointments and balms since antiquity. Roses are still grown in Oman, Saudi Arabia, and Syria. Roses, often combined with narcissus, saffron, and jasmine constiute the essential scents of Eastern Oriental perfumery. 

Choix des merveilles du monde terrestre et maritime, 14th century manuscript, BNF

The curators  encourage visitors to immerse themselves in these fragrances by creatively designed  scented devices, either embedded into the walls, or recreated as alembics. These fragrances were specially created for the occasion by perfumer Christopher Sheldrake, whose tantalizing scent palette most notably includes warm, spiced, and amber scents. 

The exhibition  presents the basic building blocks of how to make perfume and also evokes the multiple uses of perfume in the Arab Muslim world. The location of spice dealers and perfume sellers in the souk and hammam, as well as in the home, attests to the ongoing importance of fragrances to the city. Olfactory sensations are so important, that the city is designed to encourage (and discourage) different types of odors. An interesting installation on the tanning of leather  reveals how industries that provoked foul scents are relegated to spaces at the edges of the city.

Carpet with floral motifs (left), Beiti II, France, 2011, Curcuma, ginger, zaatar, sumac, white pepper, collection de l’artiste (© Laurent Mareschal / ADAGP / Van Abbe Museum (right)

One of the most inspiring installations, a carpet made of spices designed by Laurent Mareschal, shows the links between perfumery and food. The installation reproduces the cement tiles of Palestinian homes, commonly found at the beginning of the 20th century. Mareschal names his ‘spice tiles’  Beiti, meaning ‘my home’ in Arabic and Hebrew, a poignant plea as ongoing wars destroy homes in this region. In addition, the smell of the spices from the carpet, like that of perfumes, is an ephemeral moment that conjures shared memories, and the common heritage in plants and flowers as a basis for future coexistence.  

For further information on perfumes, see our blog post A Garden of Scents: Pomades, Pastilles, and French Perfume. We can also take you through the exhibit as a combined experience with our Paris perfume Tour, from Garden to Scent, find out more on our sensorial tours page.

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Best Small Museums with Cafés and Gardens

One of the best ways to enjoy the Parisian art scene is to visit the more intimate collections housed in smaller museums in the city. Often located in historic buildings, until recently, the gardens surrounding these museums were neglected. In our post covid-world, museums have now recognized that their gardens are assets to them and to the public. Some more famous venues, like the Musée Carnavalet, the Palais Galleria and the Petit Palais, have added either ephemeral or permanent cafés where visitors can enjoy the gardens over an alfresco lunch, yet the real benefit of the renaissance for museum gardens is enjoying the flowers. Paris’s gardeners dedicate considerable time and significant expense to maintain the cities’ gardens, often cultivating plants that enchant the eye and scintillate the nose. Enliven all your senses by stopping in at our favorite café-gardens in the city.

Musée Delacroix, DRAC Ile-de-France

Musée Delacroix

Bordering the church at Saint-Germain-des-Prés and set on the historic Square Furstemberg, the apartment and studio where Eugène Delacroix lived between 1857 until 1863 is an ideal place to enjoy the calm on the Left Bank. Nestled within the buildings and facing the the Romantic artist’s studio, this secret address in Paris is where the most dedicated art lovers take the time to enjoy this sublime hidden garden dotted with blooming fruit trees, tulips and benches.

6, rue de Furstemberg, 75006 Paris

Musée de la Vie Romantique

Musée de la Vie Romantique / Facebook

Musée de la Vie Romantique

Down a shady path leading to the former Scheffer-Renan home, now housing the Musée de la Vie Romantique, a lush garden awaits the visitor. Rosebushes, lilacs, and a sea of violet bellflowers both enchant and hint at the importance of flowers in 19th century life. The former garden grotto, designed by Émilie Bonaventure, is home to a café run by the renowned Rose Bakery, and excellent example of reconverting a historic space into a temple of healthy treats.

 16, rue Chaptal, 75009 Paris 

Musée de Montmartre

Perched on the crest of the hill, just a stone’s throw from Place du Tertre, the Musée de Montmartre and its three gardens charm visitors to this historic site. The gardens are dedicated to the memory of Auguste Renoir, who had a studio in the complex in the 1870s. Boasting heritage roses and fruit trees, the gardens feature an abundance of other flowers, notably iris and peonies, inspired by Renoir’s paintings. One the three gardens includes a soaring view over the Clos Montmartre, the largest vineyard in Paris with over 1,700 vines. Since 1934, these have been celebrated every October during la Fête des Vendanges de Montmartre. Overlooking the main garden is the Café Renoir, where you can savor sweet and savory dishes before visiting the studio of the other artists who lived on this site: Suzanne Valadon and her son Maurice Utrillo. The Museum is included in our Montmartre tour, learn more about it at this link.

12-14, rue Cortot, 75018 Paris

Maison de Balzac

Maison de Balzac

Maison de Balzac

Hidden from view on the Passy hill in western Paris, Honoré de Balzac’s former home and gardens are an emerald anomaly. The writer lived there between 1840 and 1847 to escape the debt collectors and write part of the Comédie Humaine. His personal belongings are on display beside works annotated by the author.  Peppered with linden and fruit trees, the graceful garden spans almost 7,000 square-feet. It also hosts a Rose Bakery café, where you can pick up a teatime treat to be enjoyed in the garden along with splendid views of the Eiffel Tower.

47, rue Raynouard, 75016 Paris 

Musée Zadkine

Musée Zadkine / Facebook

Musée Zadkine

A quiet street off of rue d’Assas hides a little-known Zadkine Museum, the former house and studio where one of the masters of cubism lived between 1928 and 1967. Bathed in light, the gallery spaces and glass front overlooks a pastoral garden. The small garden, where several of the artist’s work are nestled amidst the greenery, is an oasis of calm and little visited gem.

100, bis Rue d’Assas, 75006 Paris,

Musée du Quai Branly – Jacques Chirac / Facebook

The Musée du Quai Branly – Jacques Chirac

Wondering where to go after a visit to the Eiffel Tower? Located on the banks of the Seine, the Musée du Quai Branly – Jacques Chirac exhibits 3,500 works of art from Africa, the Americas, Asia and Oceania. Its original and imposing architecture was designed by famed French architect Jean Nouvel and includes a green wall by botanist Patrick Blanc. The garden, created by the ecologist-landscape architect Gilles Clement, who also designed the nearby Parc André Citroên, promotes an ecological naturalism. Clément uses no chemicals, no supplemental watering and no noisy, energy-wasting machinery. To complement the museum’s collections, his design is dominated by grasses. Extend your visit with a snack at Café Jacques, found within the garden, or a more sophisticated meal at Les Ombres, the museum’s rooftop restaurant which has panoramic views of la Tour Eiffel.

Interested in combining art and gardens on your next trip to Paris? We have a range of tours designed to achieve this. Read more about them here or contact us to plan the perfect tour to suit your interests.

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The Hidden Gardens of Paris

Two hundred years ago, when Emperor Napoleon III transformed Paris into a modern metropolis, he singularly championed public parks. He gifted two former hunting grounds—the Bois de Boulogne at the western edge of the city and the Bois de Vincennes on the eastern periphery—to expand the city limits. Linking these parks to the historic Tuileries and Luxembourg gardens, he provided Parisians and tourists alike with places to stroll, rest and play throughout the year. Less well known, is the fact the Napoleon III tucked small squares and gardens into each of the twenty arrondissements, so that every Parisian has his or her own favorite local paradise. Nestled into corners, off beaten paths, these lesser known gardens of Paris are not necessarily secret, but hidden.  They each offer unexpected treats, a place to watch birds, discover heritage roses, or a quiet place to read while waiting for a train. The trick is to find them. Here’s a guide to our favorite spots so that you can enjoy the hidden gardens of Paris. Read more

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Nature into Art: Wax Tulip Mania

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Mona Oren, Wax Tulip Mania

The second of our series dedicated to reappraisals of picturesque—how nature becomes art—reviews an exhibition at the Avant Galerie Vossen entitled From the Tulip to the Crypto Marguerite. The show suggests that art is a constantly fluctuating value, linking today’s bitcoin speculation to the tulip mania that consumed seventeenth-century Europe. While the tulip is the subject of many of the works in the show, including several painted works, Mona Oren’s Wax Tulip Mania project particularly addresses how natural materials morph into digital formats.   Read more

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Surprising Stories: Chantilly Cream

Chantilly cream is a crowd-pleaser: from a dollop on fresh summer berries to a transformative spoonful that makes a cup of coffee into a tantalizing dessert, Chantilly cream is a world renown gastronomic delight. This week’s Surprising Story looks at the history of this Chantilly cream—whipped milk combined with sugar—and how it was concocted for celebrations at the most famous garden parties in seventeenth and eighteenth century France.

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Surprising Stories: Rodin’s The Burghers of Calais: Resistance and Sacrifice

 

The Burghers of Calais by Auguste Rodin at the Rodin Museum. Jean-Pierre Dalbéra / Flickr

Today, perhaps more than any other time in recent history, we are aware of the fragility of the human body. The ongoing Covid pandemic and the worldwide protests against police brutality, makes it clear that how we view our bodies is changing how we view the world. This week’s Surprising Story looks at Auguste Rodin’s sculpture of the Burghers of Calais from 1895, one of his most inspiring monumental works of public sculpture that epitomizes how artists cast the human form to inspire social change.

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Surprising Stories: Fragile Flowers: Redouté, Prints and Porcelains

Rosa Gallica Pontiana and Rosa Centifolia Foliacea by Pierre-Joseph Redouté

For most of Spring 2020 many of us have missed being able to see, touch and smell beautiful flowers up close. We can look wistfully beyond closed garden gates to try to catch a glimpse of blooms or instead settle for virtual bouquets. Long before Instagram, many artists attempted to capture the ephemeral beauty of flowers, however, few succeeded as well as Pierre-Joseph Redouté. Often called the “Raphael of flower painters,” the Belgian artist is still admired to this day as an international master of botanical illustration. Working for kings, queens, empresses and princesses, Redouté produced over 5,000 prints during his lifetime, but his recordings of Empress Joséphine’s flowers at the Château de Malmaison stand out as the most enchanting. This week’s Surprising Story looks at a lesser known aspect of Redoute’s work: his prints which inspired a rare and magnificent porcelain service dedicated to the Empress Joséphine. 

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Surprising Stories: The Buttes-Chaumont: A Model for a Green City

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Parc des Buttes-Chaumont. Phil Beard / Flickr

As we leave our homes after two months of lockdown in Paris, our Surprising Story this week visits the Buttes-Chaumont, one of the city’s first public parks and urban renewal projects. Part of Baron Haussmann’s mid-19th century designs for modernized Paris, we’ll see how one of the most noxious places in Paris became one of its most picturesque.

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